Publication

HK01 INTERVIEW – 藝文創意 本地建築師創中式家具品牌 HANC舊智慧新設計串起一頭家

本地品牌HANC卻改寫了中式家具的刻板印象,還透過家具讓人拆下之間的隔膜,真真正正以家具築起一頭家。

CHINESE MEDIA| F&ID MAGAZINE

Hong Kong Houseware Fair 2017
CHINESE MEDIA – F&ID MAGAZINE INTERVIEW
MAY 2017

TAIWAN MEDIA | LIVING & DESIGN

Hong Kong House ware Fair 2017

Taiwan media – Living & Design reported

HKET | HKTDC Hong Kong House ware Fair 2017

經濟日報 | A29
HKTDC Hong Kong House ware Fair 2017
Press conference at Harbour City

Fair Daily | Interview

HKTDC Hong Kong Houseware Fair
Booth: 3CON-110
22 APR 2017

Biennale Architettura 2016

Extreme conditions of high density living have been imposing great pressure on daily life and created non-stop argument between government policies and citizens’ expectation. It leads to social laceration which may possibly originate in the living distortion created by extreme capitalist visions. The distortion manipulates our concept of time and space which keep urging for achieving new extreme in both physical and mental, especially for whose has lower income.

‭[‬觸得到的故宮‭] ‬解構斗拱

獲TVB電視台邀請協助拍攝[觸得到的故宮], 在第一集內講解斗拱結構, 並以唐代佛光寺的1比4斗拱模型, 來拆解其構造, 每個部件也有不同名稱及功用, 組合起來是如何撐起千斤重屋頂? 在中國建築中, 斗拱包含著功能丶美學及文化的精粹。

[大家手牽手, 牽出了榫卯, 木頭再生長,斗栱又開花] – 出自趙廣超老師的紫禁城100

REVEAL 2 Exhibition HKIA at ArtisTree 2016

Traditional timber architecture is composed of hundreds of joineries which hold hands to each other supporting as a shelter for every families in the past. Nowadays, we seem to be illiterate in reading codes and trails of nature. We tend to measure wind and light instead of feeling spring and seeing shadow of objects. We had lost the inherent relationship with objects that we closely contact with every day.

【倫理家具】父子椅一高一低兄弟凳合埋先有得坐

「家具用來成就一段人的關係,當家具有回憶時,你就不會因為搬家、買咗件新家俬、件嘢好平等原因,隨便把它丟掉。」--魏忠漢(Angus)
Angus是個建築師,兩年前辭去工作,博一鋪,全心設計自己喜愛的家品Hanc。傳統的窗花變成了工作桌、矮了一截的親子椅、劈開一半,必得拼合才坐得的小凳、還有四角長飛簷的小茶几,看似玩嘢,原來卻隱含深義,甚麼人體工學與數據統統丟一邊。只希望用的人,可藉此拉近關係。

設計現代中式家具:魏忠漢 構築天人合一

【明報專訪】設計現代中式家具:魏忠漢 構築天人合一
跟魏忠漢談中國古典建築,他像著了魔般滔蹈不絕。十多年前他在理工大學讀設計,愛上中國哲學和藝術,自此一頭栽進去,花了十年時間鑽研,尤愛中國古典建築。為研究中國古典建築中的「斗拱」結構,他可以不眠不休,逐塊逐層把「斗拱」砌出,從中得出其理論。這份鍥而不捨的精神一直推動著他追尋中國建築之美。